Train Yard

Oil on canvas
32 1/4 x 40 1/4 inches

Signed lower right: John Folinsbee

1929-1930
$98,000

Train Yard demonstrates  John Folinsbee’s knack for constructing an interesting composition through the interplay of strong diagonal, vertical and horizonal elements, as well as his perceptive color sense, incorporating warm and cool tones throughout the scene. The viewer remains engaged owing to the chiaroscuro effect of sunlight and shadow on the cluster of buildings and through the artist’s combination of broad and dappled brushwork when rendering form and texture.

Click here to read full artist biography

By descent through the family of the artist

1. (affixed to verso of lining canvas) Property of / John F. Folinsbee / Art Trust / A-251
2. (on top stretcher) Newman Galleries / John Folinsbee / “Train Yard” / 32” x 40” / Oil on Canvas / 17498c / (price)

1. John Folinsbee: His Changing Landscape and Industrial Modernism, Richard Stuart Gallery, Pipersville, Pennsylvania,
1981
2. John F. Folinsbee: Following His Own Course, Newman Galleries, Philadelphia, Pennsylvania, March 2 – April 7, 1990, no. 73
3. The New Hope School: Pennsylvania Impressionists, Ogunquit
Museum of American Art, Ogunquit, Maine, August 25 – October 31, 2008

1). Cook, Peter G. John Folinsbee. New York: Kubaba Books, 1994, p. 96, color ill., (incorrect date in caption)
2). Jensen, Kirsten M. Folinsbee Considered. Hudson Hills Press, 2013, p. 256, catalogue entry 473

Very good. The painting is on an old lining and remains stable on the lining. Under UV there are a few localized areas of fluorescing in the lower right quadrant that read as possible in-painting, but in daylight they also correspond to what may be the artist’s reworking of certain passages.

Train Yard demonstrates  John Folinsbee’s knack for constructing an interesting composition through the interplay of strong diagonal, vertical and horizonal elements, as well as his perceptive color sense, incorporating warm and cool tones throughout the scene. The viewer remains engaged owing to the chiaroscuro effect of sunlight and shadow on the cluster of buildings and through the artist’s combination of broad and dappled brushwork when rendering form and texture.

Click here to read full artist biography

By descent through the family of the artist

1. (affixed to verso of lining canvas) Property of / John F. Folinsbee / Art Trust / A-251
2. (on top stretcher) Newman Galleries / John Folinsbee / “Train Yard” / 32” x 40” / Oil on Canvas / 17498c / (price)

1. John Folinsbee: His Changing Landscape and Industrial Modernism, Richard Stuart Gallery, Pipersville, Pennsylvania,
1981
2. John F. Folinsbee: Following His Own Course, Newman Galleries, Philadelphia, Pennsylvania, March 2 – April 7, 1990, no. 73
3. The New Hope School: Pennsylvania Impressionists, Ogunquit
Museum of American Art, Ogunquit, Maine, August 25 – October 31, 2008

1). Cook, Peter G. John Folinsbee. New York: Kubaba Books, 1994, p. 96, color ill., (incorrect date in caption)
2). Jensen, Kirsten M. Folinsbee Considered. Hudson Hills Press, 2013, p. 256, catalogue entry 473

Very good. The painting is on an old lining and remains stable on the lining. Under UV there are a few localized areas of fluorescing in the lower right quadrant that read as possible in-painting, but in daylight they also correspond to what may be the artist’s reworking of certain passages.

ARTWORK INQUIRY

‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎‎ ‎ By submitting this form you will be added to our mailing list.