Thompson worked in a range of subjects and varied his approach depending on his theme and the environment. Portraits, figure compositions, and still lifes completed in his studio were often rendered with controlled brushwork, paying close attention to color, texture and shape, and combining strong light and dark elements in one space. Conversely, his beach scenes and landscapes, such as Coastal Inlet, are much freer and more spontaneous in execution, revealing his embrace of the principles of Impressionism practiced by Tarbell, Benson, and other Boston artists involved with the movement.

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Provenance:

Private collection, Cambridge, Massachusetts